Archive

Category Archives for "Composer"

Ross Edwards Concerto for Guitar & Orchestra

Steel City Strings performance Serenades and Dances with Aleksandr Tsiboulski

​Steel City Strings feature​s Australian composer Ross Edwards' Arafura Dances – Concerto for Guitar and Orchestra in the last program of 2018.

​Arafura Dances – Concerto for Guitar ​& Orchestra

​I. First Maninya
II. Arafura Arioso
III. Second Maninya

Ross Edwards

​Ross Edwards completed his Guitar Concerto in 1995 following a visit to the tropical north of Australia. He was a guest of the Darwin International Guitar
Festival and its Director, Adrian Walter.

One of the aims of this festival, which regularly attracted some of the world’s finest guitarists, was to create new and distinctive repertoire for the instrument.

To this end it followed an enlightened commissioning policy: Nonguitarists composers were encouraged to try their hand, often for the first time, at writing for the guitar.

The hope – perhaps the expectation – was that they would fall in love with the instrument and explore it in a fresh way.

Arufura Dances

Ross Edwards’ concerto, which over the years has acquired the subtitle Arafura Dances, is cast in three movements: a lyrical and expressive adagio framed by two of his familiar Australian dance/chants, or maninyas.

In these maninyas, you can hear fleeting references to a variety of musical cultures – Australian, South- East Asian, as well as the instrument’s traditional Spanish. Also wovent in is a fabric of insect rhythms and drones.

Musical influence

Edwards, clearly under the spell of Darwin and coastal Arnhem Land as he composed, refers to the turquoise Arafura Sea as a constant backdrop. 

Other influences include flora and fauna of the region and the colourful Macassan sailing boats in Darwin’s Maritime Museum.

Dedication

The concerto, dedicated to John Williams, was commissioned by the Darwin International Guitar Festival with assistance from the Australia Council.

The first performance took place on July 7, 1995 on the lawns of the Darwin Casino. John Williams was soloist, and Martin Jarvis conducted the Darwin Symphony Orchestra.

©Bernard Rofe

Ross Edwards by Bridget Elliot

Ross Edwards © Bridget Elliot

​​Ross Edwards (b 1943)

Serenades and Dances 

​DON'T MISS the final Steel City Strings performance for 2018

22 Sept - Wollongong Art Gallery 7.30pm

23 Sept - Mittagong Playhouse 2pm

Edward Elgar Serenade for Strings in E Minor

Steel City Strings performance Serenades and Dances with Aleksandr Tsiboulski

​The first piece to be featured in Steel City Strings' Serenades and Dances program is Edward Elgar's Serenade for Strings in E Minor.

Serenade for Strings in E Minor, Op 20

Allegro piacevole
Larghetto
Allegretto

Edward Elgar

Composed in 1892, the Serenade for Strings is amongst the composer’s most popular works. It was certainly a piece that Elgar regarded with complete satisfaction.

Elgar, a violinist himself, wrote to a close friend that the work was ‘real stringy in effect’. And though a relatively brief composition, the Serenade displays his mastery of string writing.

Three movement structure

The three-movement structure is intricately bound by motivic and harmonic patterns. These, together with a return to the material of the opening bars of the Allegro at the end of the work, suggest Elgar conceived the Serenade as having a single musical contour.

First movement

The first movement is initiated by a nervous dotted-rhythm figure for violas. Above this a simple scalic melody rises and falls. Pastoral in style, some critics hear the tune as a fragment of an English ballad, others as a cradle song.

Second movement

A second and no less expressive theme leads to a serene passage in the tonic major (E major). The opening material then returns, finally dispelling the anxious ostinato pattern. The first violins begin the slowly unfolding Larghetto with a solo melody that speaks of a deep longing. To which, the second violins respond with similar yearning. This is music of profound and heartfelt emotion, and provides a foretaste of the music Elgar would later write as slow movements in his symphonies.

Third movement

The Allegretto movement is a brief affair. A lilting melody shared among the upper strings brings a gentle, even wistful, character to the music. Abbreviated recollections of themes from the opening movement bring the Serenade to a relaxed conclusion, the harmony now clothed in a delicate E major chord.

© David Vance, 2018

Edward Elgar

Edward Elgar  (1857-1934)

​Serenades and Dances

​DON'T MISS the final Steel City Strings performance for 2018

22 Sept - Wollongong Art Gallery 7.30pm

23 Sept - Mittagong Playhouse 2pm